Well, here's another problem.
How to sing the entire cycle straight through without losing your voice?
I'm croaking a bit anyway, but hell, at least most of the time there's some tone there, some spin and some warmth. I said to Ben today, Let's do the whole thing start to finish, no stopping. We stopped a few times, pushing and shoving our ways through the sea wall of this thick and shifting tonality. I remember when we first discussed doing this, I thought I knew enough about German, so I could learn to do this well. I'm a pretty good musician. I've been listening to Dichterliebe since I was fifteen. How hard could this be?
After one hour of rehearsal I'm done. I need a week in intensive care. Just the
concentration required, the ability to listen and to express what's going on between the bars is an enormous challenge. Noody should throw away their Fritz Wuderlich albums, but this is a wonderful mental and spiritual excerise and I'm gratedul for the opportunity.
Never mind there are two pieces back to back I can't sing because they are too bleeding low. And forget that there's a top G in the first line of the first song that doesn't exist for me. And Ben, bless his heart, says, "Now, on this page where its triple forte and high, just open up." I opened up and my bowels fell on the floor. Why torment an audience, not to mention Schumann? Didn't he have enough trouble beinb crazy?
But I'll tell you, every time I turn the page and see the next song I 'm glad to be working on this.
As my buddy Paul Cote used to say, "Who needs to be over the rainbow when you've been under the ferris wheel?" (Don't ask.)